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A rackmount box that lives on stage and you control it with a tablet.or a laptop. Like setting up a single reverb and delay for FX and keep the individual tracks just to stock EQ and Compression plugins.Īnother option would be the Behringer Air series. You could use REAPER to record and use the TASCAM software and onboard DSP to do decent mixes for live sound. However, the 1608 finally has some onboard DSP.
LIVEPROFESSOR WITH STUDIO LIVE DRIVERS
I've got the earlier version, and I love it, but I'm not sure if the drivers would the very low latency you'll need. That said, I would be a little leery of the TASCAM. Add some powered speakers and you have a live recording rig/PA with tons of effects for not much money or space. Think about it.a cheap single rackspace interface and a laptop.
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I think this is the wave of the future.especially for garage/bar bands. SERR is the master on this subject, but I'll add my $.02. Here are a couple threads with some more blathering about this stuff: What they're really hearing is more like 30ms or so of latency for their whole system which is VERY perceivable. Again, this is only the Reaper added component reported here. What's really going on is people misinterpret the latency reported by Reaper on top of the screen as their total system latency. You'll see posts around here from people claiming they can hear 11ms and that it needs to be less.
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The game is: The block size for stable operation needs to be low enough for 11ms or less total system latency (analog > ADC > interface to computer > Reaper > computer to interface > DAC > analog out) which is the threshold for perception of a lag. I have plenty of headroom to dial up plenty of plugins and keep an 11ms total system latency time.